L’écrit et la voix dans les Mille et une nuits de Miguel Gomes: une fragmentation du réel

Authors

  • Justine Rabat

Keywords:

Arabian Nights, Miguel Gomes, Voice, Text

Abstract

Miguel Gomes proposes in the Arabian Nights (2015) a specific use of the voice and the text, creating a work in hybridization. Interaction between text and voices creates a gathering of written and visual material and above all assembles fragments of the present. We will question the use of voice and text in this film which logs Portugal “stories” by mixing fables and news.

Author Biography

  • Justine Rabat

    Justine Rabat est doctorante en Littérature Générale et Comparée à l’université Sorbonne-Nouvelle Paris III. Ses recherches portent sur l’enchâssement oriental et la performance orale dans la littérature et au cinéma.

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Published

03-03-2018

Issue

Vol. 1 No. 11 (2018): 11th Edition

Section

Articles

License

estrema provides open access to all its issues. Authors retain their copyright and grant the journal the right of first publication of their texts, as stipulated by the Creative Commons Attribution 4.0 International (CC BY 4.0) license. This license allows third parties to share the work, provided proper attribution is given to the author and the original publication in this journal is referenced.

How to Cite

“L’écrit Et La Voix Dans Les Mille Et Une Nuits De Miguel Gomes: Une Fragmentation Du réel”. 2018. Estrema: Interdisciplinary Journal of Humanities 1 (11): 19. https://estrema.letras.ulisboa.pt/ojs/index.php/estrema/article/view/156.