Maps, Razors, Monocles, Diamonds: Reading H. R. Haggard’s King Solomon’s Mines through the lenses of Victorian Material Culture

Abstract

This article proposes a cultural analysis of Henry Rider Haggard’s nineteenth-century classic King Solomon’s Mines (1885) through an interdisciplinary perspective that draws from Victorian material culture, Thing theory and postcolonial studies. The ways in which objects contribute to the characters’ delineation will be taken into consideration in order to analyse the function they perform in relation to the mythopoeia of the British Empire and to the novel’s blatant racism and implicit colonial politics. In terms of methodology, a close reading of the text will be carried out in an attempt to investigate the boundaries between fiction and reality and the extent to which objects become symbols of an epoch and emblems of the Empire.